Intro
This is my first official book review posting. I have included a full synopsis of all three books, which is something I plan to do for all books I post here moving forward. It's a short review, but it should still help you decide whether or not to read it. I also have included a full synopsis of all three books, which is for those wanting a quick refresher before diving back in. Enjoy! - Saint
Synopsis
The Burning Kingdoms trilogy is an epic fantasy series by Tasha Suri, set in a world inspired by the history and mythology of India. It follows two women whose lives become irrevocably entangled: Priya, a maidservant hiding a forbidden magical heritage, and Malini, a princess imprisoned by her despotic Emperor brother. What begins as manipulation and wariness develops into a compelling relationship.
Review
I enjoyed the representation of the many complex female friendships. The lore was rich and intriguing and the world was vividly brought to life. The narrative could have been much tighter, there were many repetitive situations and there were some choices that the author made that I found frustrating. Overall though, I found the series to be engaging - just the fact that I actually read all three books is a testament to that.
Complete Synopsis
WARNING: FULL SPOILERS FOR ALL THREE BOOKS FOLLOW.

The Jasmine Throne
by Tasha Suri
The Parijatdvipan Empire rules over several vassal states, including Ahiranya, whose culture, religion, and language have been systematically suppressed. A disease called the rot — which causes plants to sprout from a person's body — is spreading through the empire. At the heart of Ahiranya stands the Hirana, an ancient temple once fed by the deathless waters: a magical source that could grant power to temple children who passed through it - up to three times to become a full-fledged elder - at increasing personal cost and risk of death. Part of the fabric of the culture and religion of Ahiranya are the yaksa, spirits who could manipulate plants and water, but are thought to be gone. Their downfall was tied to the subjugation of Ahiranya.
Priya was one of those temple children. She survived passing through the waters once. When she was a child, most of the elders and temple children were massacred, and the hirana has been unoccupied and inaccessible, along with its source of power. She has suppressed her memories of that night and her powers and now works as a kitchen maidservant in the regent's household. The regent's wife, Bhumika, is also a surviving temple child. The two have a halting but secret kinship, since only each other knows of their past. Malini, the princess of the ruling empire, is locked away inside the hirana by her brother Emperor Chandra after being accused of treason and refusing to undergo purification — a ritualized death by fire that Chandra uses to consolidate power. Priya, along with many maidservants from the regent's household, is assigned to cook and clean inside the hirana. When Malini witnesses Priya use her forbidden magic to survive an encounter with a rebel posing as a maidservant, she sees an opportunity and arranges for Priya to be her personal attendant. Priya in turn, in consult with Bhumika, agrees to the arrangement as a way to gain leverage over a powerful figure, even an outcast one.
Running parallel: Priya's brother Ashok (another, and the last revealed surviving temple child) leads a rebel faction seeking to weaponize Ahiranya's temple powers against imperial rule. Bhumika also secretly works against the empire from inside the regent's household. Prince Rao of Alor has arrived to Ahiranya and is working covertly to free Malini.
Priya and Malini spend a lot of time together and Malini eventually convinces Priya that they could help each other's goals. Priya, who wants a free Ahiranya, and Malini, who wants to escape and install her eldest brother Aditya on the throne (Aditya previously abdicated in order to become a priest). Priya enters the waters in the hirana a second time and gains more power. During a rebel attack on the city's leaders, Priya helps Malini escape the Hirana. In return, Malini promises that Ahiranya will be free. They meet up with Rao to return to Parijat and the monastery where Aditya is living as a priest. Many of the empire and vassal-states leaders are meeting there to make a plan to overthrow Chandra, who is almost universally hated and feared, even as he holds onto power through his cruelty.
Malini is unable to convince Aditya to take up the mantle of opposing their brother Chandra, but Rao reveals that his own true name is a prophecy of Malini becoming Empress. This is something that the gathered leaders take very seriously and, although she is a woman in an extremely patriarchal society, she is supported and is declared the true empress, although they must still fight a long war to actually take the throne. Priya and Malini, in all of this, begin a covert romantic relationship, but now part ways, as Malini begins her campaign and Priya returns to Ahiranya to help her people. Back in Ahiranya, Priya, Bhumika, and Ashok enter the deathless waters together. A yaksa spirit demands Priya surrender her heart and soul in exchange for her full power. She complies — almost entirely. A piece of her, given to Malini, remains unchanged. Priya and Bhumika emerge as thrice-born Elder priestesses. Ashok drowns.

The Oleander Sword
by Tasha Suri
A year after Malini's declaration, she has taken over most of the continent but has not yet secured complete control. They are trying to take the largest stronghold outside of the capital city, the Maze Fort, which is under the control of Chandra's most loyal general. The campaign turns catastrophic when Chandra's priests unleash supernatural fire conjured from the ashes of women he has burned — a weapon that tears through Malini's forces. Malini sends word to Ahiranya requesting Priya's aid.
Priya, now a thrice-born Elder, and working to curb the rot, agrees to join the campaign despite her people's ongoing needs. She travels with her friend Sima and reunites with Malini. Priya faces hostility and discrimination from Malini's Parijati army, as the Parijati people in general distrust Ahiranyians. Her yaksa bargain is growing darker and more binding in ways she does not yet fully understand. Rao and Aditya have followed and supported Malini. Their bond with each other deepens into something that reads as romantic.
Back in Ahiranya, Bhumika manages Ahiranya's politics and the rot crisis. The yaksa make a sudden return. They have taken on the appearance of the dead temple elders and children, and even retain many of their memories and personalities. While many Ahiranyians celebrate the return of their dead gods, it is quickly apparent that the yaksa are not benevolent. The rot is their doing, and they are using it to manipulate people. The rot, which can also infect plants and land, starts to quickly spread outside of Ahiranya.
Malini takes the main force of the army to the capital city to confront Chandra, while Rao and Aditya lead a smaller force to take the Maze Fort. Aditya sacrifices himself, plunging his hand into the Mothers' flame and single-handedly burning the entire force at the Maze Fort, at the cost of his own life. Rao is left devastated.
Malini herself accepts a terrible bargain with the priesthood to secure their support: the priesthood, aware of the return of the yaksa, believe that the only thing that can stop them is a powerful pyre of fire sacrifice, akin to one made by Aditya (the fire produced by those of the royal line is far more powerful than other sources). She agrees that when the time comes, she will sacrifice herself to stop the yaksa. In return they will support her claim to the throne and help her defeat Chandra. The bargain is carried out and with the priesthood's help, Malini takes the throne and Chandra, who is initially imprisoned, is poisoned by Malini and dies.
Meanwhile, the yaksa inside of Priya fully awakens as Mani Ara, mother and most powerful of all yaksa. Mani Ara demands that Priya stab Malini in the heart in order to reclaim the part of Priya's heart that Malini retains, because Priya's entire being must belong to Mani Ara. With the threat of violence against all of Priya's friends and family, Priya complies and stabs Malini, avoiding the heart. Malini survives, but the wound is unnatural, burning in ways that suggest the yaksa are altering something in her. Priya returns to Ahiranya, leaving Sima behind in the care of Rao.

The Lotus Empire
by Tasha Suri
Aditya and Chandra are both dead. Malini holds the throne, scarred by Priya's betrayal, the pyre bargain still hanging over her. In Ahiranya, Priya has become a vessel for the yaksa deity Mani Ara, surrendering her own agency to protect her people — but she is slowly being consumed, and as the yaksa take more control she begins to understand, with panic and regret, what merging with a deity actually means. The yaksa's plan is to isolate and transform Ahiranya and reshape the entire world in their image.
Malini, whose wound from book two has altered her and given her new abilities in ways she is still discovering, pursues a way to kill an immortal creature that doesn't involve fire and break free of the pyre bargain. She and Priya are separated for most of the book, communicating through shared dreams in which longing, fury, and grief coexist. Priya eventually "turns herself in" to Malini, and they are again reunited, with Malini bringing Priya to the capital city. Bhumika sacrifices her memories — losing her recollection of everyone she loves, including her child — to deliver a salvation message to warrior priests who can help defeat the yaksa. She becomes a husk of who she was, yet remains herself in instinct and manner. Rao, grieving Aditya, is given an assignment outside the empire and finds something resembling companionship with Sima. The relationship between Sima and Rao is platonic, as Sima identifies as gay, and she helps Rao realize that his feelings for Aditya were romantic.
Malini mounts an assault on Ahiranya and the yaksa, but the yaksa have surrounded the entire country with hostile and dangerous trees, so the invasion is stalled. Priya fights for control over her own body and tries to discover her own ways to defeat the yaksa. She eventually realizes that the source of the yaksa's strength is the deathless waters and the Hirana, and that she must destroy the Hirana itself and sever the yaksa's connection to the deathless waters. As the invasion continues to be stalled, the priests become impatient and, en masse, light themselves on fire, planning that the resulting blaze will also cause Malini to burn and fulfill the pyre bargain, thereby defeating the yaksa.
Priya meanwhile carries out her plan to destroy the Hirana, and she and Malini head into Ahiranya, narrowly avoiding the fire which continues to rage on. The yaksa, who did not originally have human bodies but had to assume them in order to return, have become too human to truly fight back, and they all calmly walk into the fire to meet their end — with the exception of Mani Ara, still inside Priya. Priya enters the deathless waters and faces Mani Ara directly. Mani Ara is consumed by grief for her lost yaksa kin and wants to let the world burn rather than bear the pain of her loss. It is implied that Mani Ara could never truly have Priya's heart, because Priya's heart belonged to Malini. Priya reasserts herself and coaxes Mani Ara into an eternal sleep. She breaks the eternal waters down to a small stream, preserving just enough life for the surviving temple children, and brings the entire Hirana down around herself.
Fifteen years later, Malini is Empress. She has not aged at all in fifteen years — implied to be a result of the wound from book two and her connection to Priya. She is preparing to leave the throne to her nephew and seek out Priya, whom she is convinced is still alive. Rao and Sima are travelling the world together. Bhumika has regained her memories and is still leading Ahiranya; she assumes Priya is dead. Priya is alive, though still figuring out her godlike shape and seemingly confined to forests and waters. She reunites briefly with Bhumika and tells her it has taken fifteen years to calm the yaksa inside of her. Bhumika and Priya have a bittersweet goodbye and do not see each other again. Priya and Malini reunite to live their immortal lives together.
Rants (w/ spoilers)
- There is a lot of page time spent on the yaksa, developing them as characters and portraying them as increasingly human. Then this is all thrown away by the fire at the end of the book. It almost felt like there was going to be a redemption arc for them and then the author decided against it in the 11th hour. In the final conversation between Priya and Mani Ara, Mani Ara speaks of how her and her kind entered the world through the cosmic river (the deathless waters) and how they were pursued and hunted by beings of fire and dark visions — implying that the nameless god and the fire god are actually predators of the yaksa. This felt like even more reason for there to be a redemption arc for them.
- All three of the sources of power/gods in this book are evil. Any time anyone reaches for power outside of themselves, it comes with great cost. In some ways this mirrors real-world religion, how it can feel like these evil things hanging over us. But the author also wrote heroes who were tapping into this power. It's almost like, choose a lane. If you're going to write heroes that can tap into this power, and since you're making this all up anyway, there could be a way to write them doing so in a positive way. All of that to say, the way it was written feels dark and hopeless to me.
- The entire subplot of Bhumika giving up her memories to save the world was confusing because not much happened with it — the giant fire at the end of the book rendered it moot. I'm sure there is a term for the opposite of "deus ex machina": instead of solving all the problems, it makes them irrelevant. That's what happened here.
- Sima and Priya's relationship consists almost entirely of Sima saying "hey don't leave me behind" and then Priya saying "ok I won't" and then Priya leaving her behind anyway. This happens three or four times, and every time I thought, okay, Priya's going to learn this time. She does not. The final time is particularly egregious because it comes right after Priya has just betrayed Malini so intensely, when attitudes toward Sima would be at an all-time low given that she's the friend of someone who committed such a grave betrayal. It was a weirdly written relationship — almost like Sima was actually written to be Rao's friend and the author wasn't sure how to introduce her into the story.